la cultura

Culture

Uruguay has an impressive legacy of artistic and literary traditions, especially for its small size. The contribution of its alternating conquerors and diverse immigrants has resulted in native traditions that integrate this diversity. Uruguay has centuries old remains, fortresses of the colonial era. Its cities have a rich architectural heritage and an impressive number of writers, artists, and musicians. Uruguayan tango is the form of dance that originated in the neighborhoods of Montevideo, Uruguay towards the end of the 19th century. Tango, candombe, and murga are the three main styles of music.

Literature
José Enrique Rodó, a modernist, is considered Uruguay’s most significant literary figure. His book Ariel (1900), which stresses the importance of upholding spiritual over materialistic values, as well as resisting cultural dominance by Europe and the United States, continues to influence young writers. Outstanding among Latin American playwrights is Florencio Sánchez; his plays, written around the beginning of the 20th century and dealing with contemporary social problems, are still performed. From about the same period and somewhat later came the romantic poetry of Juan Zorrilla de San Martín, Juana de Ibarbourou, Delmira Agustini and the short stories of Horacio Quiroga. The psychological stories of Juan Carlos Onetti have earned widespread critical praise, as have the writings of Mario Benedetti. Uruguay’s best-known contemporary writer is Eduardo Galeano, author of Las venas abiertas de América Latina (1971; "Open Veins of Latin America") and the trilogy Memoria del fuego (1982–87; "Memory of Fire"). Uruguayans of many classes and backgrounds enjoy reading historietas, comic books that often blend hunour and fantasy with thinly veiled social criticism.